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10" Vinyl
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Insuiciety - Belive And Die
Totally devastating and refreshingly original doom/sludgecore here from this Berlin outfit. These guys (and girl) definitely carve their own bloody niche in this over-saturated genre, which has something to do with the occassionally off kilter rhythms a la Damad or Kylesa, but probably most to do with Ajka's insane, accented vocals, making them sound like (to egregiously confuse cultures for a second) a female-Dracula-fronted Eyehategod. Definitely recommended for fans of Grief, Graves at Sea, and the aforementioned bands. |
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Sofy Major / One Second Riot - Split 10"
One could reproach Sofy Major a certain conformism with the listening of their introduction, certainly sympathetic nerve, but far from being with the point of the originality in a harped style post-trucmuche archi. The first measurements of these new pieces, carrying a sound message differently more affuté, illustrate without turning the progression of the combo. A projection towards grounds more bruitists, plowed with great blow of distorted guitars and rates/rhythms all in shift alternating the tempos. One will particularly appreciate the superposition of the ultra riffs tended on a battery not hesitating a moment to slow down to support strike them. Sofy Major lorgne thus towards the noise hardcore while preserving in bottom a despair screamo hardcore and a groove well rock'n'roll in the most irritated passages. An ambivalent aspect surligné by the song whose stamp is next to sometimes that of the tenors rockin' hardcore who are Lack and Complete, sometimes the intonations typical of Envy. At all events, the style continued and our interest could not make some differently. One Second Riot, duet which had already largely convinced via excellent Split LP at the sides of the atypical yankees of Neptune, continues in the same furrow, that the same one which makes all their interest; a trench dug by low vibrating played like a guitar and rhythmic ensured by a beater at ease in the most delicate parts as in the most incisive attacks. One Second Riot always leaves the beautiful share (without never making some too much) with the vocal samples (not far from Microfilm) and electronic bringing volume and body to a music oiled and articulated like a skeleton. In the ambient tension, the Lyoneses are authorized some passages slowed down benefitting from the beautiful echo from low and exploiting silences with the manner of Duet. Put besides that, not of real surprised, just a handle of pieces noisy punk post in the vein of what the duet already proposed, i.e. identity and nicely tied up. Only the song filtered by a "ettoufé" effect could be discussed, and still, the initiative sticks perfectly to the subject |
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